Matisse at the Saint Louis Art Museum

Henri Matisse, French, 1869–1954; “Bathers with a Turtle”, 1907–08; oil on canvas; 71 1/2 x 87 in. (181.6 x 221 cm); Saint Louis Art Museum, Gift of Mr. and Mrs. Joseph Pulitzer Jr. 24:1964; © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York.

St. Louisans might not realize it, but one of the most important paintings of the early Twentieth Century is right here at the St. Louis Art Museum. Henri Matisse’s 1907-9 Bathers with a Turtle set a new standard in modern art in the decade before World War I, in a period of artistic exploration and growth in the Frenchman’s career.

Henri Matisse, French, 1869–1954; “Three Bathers”, 1907; oil on canvas; 23 3/4 x 28 3/4 x 15/16 inches; Lent by the Minneapolis Institute of Art, Bequest of Putnam Dana McMillan; © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York

The exhibition, Matisse and the Sea brings together our own famous work with others by the artist and shows how the influence of his time by the seashore and the arrival of African art, particularly masks, aided in the development of Modern art.

Matisse in Tahiti, 1930; Archives Henri Matisse, all rights reserved, Photo: F.W. Murnau

Like other artists such as Paul Gauguin, who a generation before had traveled to the South Pacific, Matisse likewise sought inspiration in Tahiti, a French territory.

Henri Matisse, French, 1869–1954; Seated Woman, Back Turned to the Open Window, c.1922; oil on canvas; 28 7/8 x 36 7/16 inches; The Montreal Museum of Fine Arts, Purchase, John W. Tempest Fund 2024.07; © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York

Of course, the sea had long been a subject of French artists, including the Impressionists such as Claude Monet. Those artists, however, had been strictly representational artists, and now Matisse was paving the way for what would eventually become abstract art, even if his own works in the exhibition still showed the natural world.

Baga artist, Guinea; “D’mba Figure;” wood; height: 17 3/4 inches; Private Collection

Rounding out the exhibit are some of Matisse’s famous cut-outs, which due to their fragility rarely travel, we see how the artist has further pushed the realm of modernity. The exhibit is an excellent companion to think about how Modernism was affecting St. Louis architecture at the same time as Matisse’s painting was changing Western art.

Henri Matisse, French, 1869–1954; “Blue Nude I”, 1947; gouache, painted paper cut-outs on canvas; 41 7/8 x 30 11/16 inches; Foundation Beyeler Collection, Inv.60.1; © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York

One Comment Add yours

  1. Sean B. says:

    I remember doing some Matisse “labeled” cutouts in art class when I was in second or third grade. Even if certain subject matters like the human subconscious. Or those less formally labeled forms of human “expressionism.” You just can’t tone down for a younger audience. None the less, thanks for giving us some awareness of that Saint Louis Art Museum exhibit. 🙂
    The last time I was there was within early 2020. I found some Robert Delaunay painted Eiffel Tower piece next to a greed themed painting. Plus I walked through the Max Beckmann themed room with a greater understanding of where the paintings were located compared to my teenage years 🙂 Plus it’s a shame some ignorant New Yorkers did some light casual vandalism on some non war zone or failed-state addressed Roy Liechtenstein painting before some SLAM staff members had to do some extra restoration on that picture, but junk like that is allot more common than it should be 🙁

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